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ICS Lecture: Christine Ho, "Minor Ornaments: Alternate Modernism and Race in Early Twentieth-Century Chinese Art"

Christine Ho Image
October 16, 2020
4:00PM - 5:30PM
Online (Registration Required)

Date Range
Add to Calendar 2020-10-16 16:00:00 2020-10-16 17:30:00 ICS Lecture: Christine Ho, "Minor Ornaments: Alternate Modernism and Race in Early Twentieth-Century Chinese Art" The Institute for Chinese Studies presents: "Minor Ornaments: Alternate Modernism and Race in Early Twentieth-Century Chinese Art" Christine Ho History of Art and Architecture University of Massachusetts, Amherst Flyer: Christine Ho Flyer [PDF] Abstract: Twentieth-century Euramerican critics often described the painting of Asian artists as “decorative,” implying a facility with superficial beauty at the expense of conceptual depth.  What happened, then, when artists in modern China embraced this pejorative phrase as the defining feature of their art? This talk explores the polymathic designer, publisher, and cartoonist Zhang Guangyu’s vision for the potential of the decorative, and his negotiation of the paradox of race and culture in making of alternate modernism in modern China.  Was it possible to imagine that the decorative could transcend modernism’s nationalist discourses through its language of abstracted symbols and mutual borrowing across cultures to upturn narratives of progress and innovation?  Or did decoration remain entrapped within the racialized, and racist, paradigms of the disciplines of anthropology, archaeology, and folk studies?  Online (Registration Required) East Asian Studies Center easc@osu.edu America/New_York public

The Institute for Chinese Studies presents:

"Minor Ornaments: Alternate Modernism and Race in Early Twentieth-Century Chinese Art"

Christine Ho

History of Art and Architecture
University of Massachusetts, Amherst

Flyer: Christine Ho Flyer [PDF]

Abstract: Twentieth-century Euramerican critics often described the painting of Asian artists as “decorative,” implying a facility with superficial beauty at the expense of conceptual depth.  What happened, then, when artists in modern China embraced this pejorative phrase as the defining feature of their art? This talk explores the polymathic designer, publisher, and cartoonist Zhang Guangyu’s vision for the potential of the decorative, and his negotiation of the paradox of race and culture in making of alternate modernism in modern China.  Was it possible to imagine that the decorative could transcend modernism’s nationalist discourses through its language of abstracted symbols and mutual borrowing across cultures to upturn narratives of progress and innovation?  Or did decoration remain entrapped within the racialized, and racist, paradigms of the disciplines of anthropology, archaeology, and folk studies? 

 

Bio: Christine I. Ho is associate professor of East Asian art history at the University of Massachusetts Amherst. Her research focuses on modern and contemporary art in China. The author of Drawing from Life: Socialist Painting and Socialist Realism in the People’s Republic of China (University of California, 2020), she has also published in The Art Bulletin and Archives of Asian Art. She is currently working on two projects: a study of the mural in modern China, and a monograph on the theory, history, and practice of collective production in modern and contemporary Chinese art, entitled Collective Brushwork.

 

Free and Open to the Public

If you require an accommodation, such as live captioning, to participate in this event, please contact Stephanie Metzger at metzger.235@osu.edu or 614-247-4725. Requests made at least two weeks in advance of the event will generally allow us to provide seamless access, but the university will make every effort to meet requests made after this date. 

The ICS Lecture Series is supported by a U.S. Department of Education Title VI grant to The Ohio State University East Asian Studies Center.